Tag Archives: Russ Woods

A5 PREVIEW + (SOME) NEW STAFF

Hello again.

ARTIFICE 5 IS OFF TO THE PRINTER

You can preview work by A5 contributors Molly Brodak, Laura Kochman, Gabriel Blackwell, and Russ Woods by going to the main site and clicking on the giant red rectangle. Preorders are still open and SHIPPING IS FREE FOR ALL ORDERS PLACED DURING THE NEXT TWO WEEKS.

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THREE NEW ADDITIONS TO THE EDITORIAL STAFF

JESSICA DUTSCHMANN (PR COORDINATOR)
ALBAN FISCHER (CONTENT EDITOR)
JEANNETTE GOMES (ASSISTANT EDITOR)

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I have many more nice things to say about these three majesties than anyone has patience to listen to, so I’ll stick to the basics. Jess has worked extensively on events for public & private nonprofits and knows pretty much everyone everywhere, to say nothing of how much I enjoy and admire her writing (check out her new echap &roaring&roaring). Alban is steadily building an intimidating portfolio of cover designs for publishers like Curbside Splendor, Mud Luscious Press, H_NGM_N BKS, Tiny Hardcore Press, and YesYes Books (his work on Corey Zeller’s Man vs. Sky just slays me, and have you seen Frequencies, Vol. 1?). He’s the sole proprietor over at smooth Grand Rapids pebble trnsfr.  Jeannette has been editing at Love Symbol Press for a while now, and I couldn’t be more excited about bringing on her poetic sensibility (read small breaks of light!), permanent enthusiasm, and intensely sweet disposition.

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Everyone who sent in an application has our thanks, and we’ll respond to all of you in the order we received your emails. Thanks for your patience so far. We will be filling the remaining positions (1 Content Editor + 1 Assistant Editor), over the next several weeks. If you haven’t applied yet and would like to work at Artifice, you still have time! Go here for descriptions of each position and how to apply.

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Once again, those who love Artifice and want to hold it close can take the first step here.

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PREORDER A5

A5-2

Things We Are Reading Right Now

Mason Johnson is playing Pokemon instead of reading. If he were reading, he would be reading I Love Science by Shanny Jean Maney. Or Chew vol. 5.

Julia Hendrickson is reading Color Plates by Adam Golaski (Rose Metal Press, 2010), a collection of short stories that recreate the narratives behind the Impressionist paintings of Édouard Manet, Mary Cassatt, Henri Toulouse-Lautrec, and Edgar Degas; and is about to crack open Marcel Proust’s Days of Reading, in a tiny beautiful edition from Penguin’s Great Ideas Series.

She’s also reading The Studio, which is part of Whitechapel’s Documents of Contemporary Art series. It’s an interesting compilation of essays on the subject of the artist’s studio, put together by Jens Hoffmann. Some of the texts are only loosely related to the theme, but it’s historically useful and a diverse read; an answer and a challenge to the recent Studio Reader.

James Tadd Adcox just finished I Love Science, and plans to say nice things about it in some public forum. It really is a fantastic book. He’s also reading Darcie Dennigan’s Madame X, Joshua Young’s To the Chapel of Light, and Emily Kendal Frey & Zachary Schomburg’s OK, Goodnight.

Kaisa Cummings is reading East of Eden by John Steinbeck right now. Summer is a good time for big literary commitments like that.

Russ Woods, who tends to dip in and out of books a lot, is currently reading Are You My Mother by Alison Bechdel, A Journey Around My Room by Xavier de Maistre, The Malady of the Century by Jon Leon, and Issue 3.1 of Gigantic Sequins.

Alex Allison is reading The Edible Woman by Margaret Atwood, and received and spun through the excellent I Am A Very Productive Entrepreneur by Mathias Svalina. He intends to heavily steal from both books in the future.

Meghan Lamb is reading Michel Houellebecq’s The Elementary Particles. She would like to note that it makes her sad thinking about covert masturbation, flaccid penises, and sickness as a metaphor for all things (all subjects that she can never get enough of, it would appear).

Matt Rowan is reading Iceberg by Paul Kavanagh (“a really wonderful story with all the really excellent fantasy of a Roald Dahl novel but something much more sinister, as well”);

God Bless America: Stories by Steve Almond (“like reading George Saunders mixed with Jim Shepard. Does that make sense? Doesn’t matter. Almond’s got his finger on the pulse of what shapes and sizes we Americans come in. It’s nice to see a collection with a title that’s paradoxically satirical and sincere at the same time. “);

Why They Cried by Jim Hanas (“a surprisingly fun collection of stories, interesting reading it alongside Steve Almond – for both their similarities and the definite stylistic distinctions”);

Letters From Robots by Diana Salier  (“Diana does fractured prose poetry – if I’m not totally mislabeling her work – as well as anyone. Tons of lyricism. Turns of phrase that ring in your ear”);

and Revelation by Colin Winnette (“Colin has this amazing way with words. Truly admirable. Very enviable. That bastard’s done it again”).