Artifice loves it when our friends get up to interesting projects, and we especially love projects that include non-traditional book tours, fantastic illustrations, and a weird, dark sense of humor. This post concludes a month of virtual book tours for The New York Stories, which is a collection by Ben Tanzer, illustrated by Laura Szumowski. The New York Stories was recently published by the Chicago Center for Literature & Photography (CCLaP) as a hand-bound, special edition (vellum illustration pages, faux-suede covers, and external Coptic stitching, oh my!), available now for $50.
The type for The New York Stories is creatively laid out in a condensed square format, with the text running like a magazine: two justified columns set close together. Szumowski’s illustrations leading into the stories are apt, tone-setting introductions to Tanzer’s acerbic, dark texts. Kids watch Mermaids and get into trouble, while adults ignore their problems at Thirsty’s bar. The New York Stories hits you with a never-ending series of gut-dropping moments; when you think that something awful might have happened but you try and hope for the best, Tanzer shows that it’s probably better to expect the worst. It’s a dark world where parents can’t be trusted with their friends’ children, and the children can’t be trusted with each other.
We hope you check out a few more of the interesting book tour stops (e.g. you can hear Ben reading a story over at Curbside Splendor, or listen to Ben and Laura chatting with Another Chicago Magazine). Here at Artifice, though, we give you a conversation about book production, comics, illustration challenges, the paranormal, and inanimate objects with personality.
N.B. This interview is compiled from separate email correspondences, and was conducted between Chicago and London.
Artifice: Ben and Laura, can you describe the process of working with each other to develop the illustrations? How did you get in touch? How much contact did the two of you have before getting started?
Ben Tanzer: I would really like this answer to be so much cooler than it is. But, I sort of knew Laura personally from different readings and other events, had compulsively zipped around her website, though not in any stalkerish kind of way, really, and was a fan of her and her work and style. That said, it was CCLaPs idea to bring our work together and I think it was a terrific one. For me anyway. Laura may find herself increasingly dismayed by the whole thing and is merely keeping-up a happy face for our public appearances.
Originally, Jason wanted me to do something along the lines of Jay Ryan, style wise, but when I talked with Ben, he mentioned Deer Hunter and First Blood as visual inspiration. My instincts from reading the stories agreed with Ben, so I did a few drawings to see what he thought. He said great, keep going– it was as simple as that. Not a whole lot of interaction, nothing too specific. He was comfortable with me taking artistic license, and I think was interested to see what I would draw from his writing.